SoFA Journal Spring 2026
Letter from the Editor
by Gwen Hoeffgen + Sarah Luu + Domenic Toliver + Adela Cardona Puerta
“Across these conversations, art is not treated as an isolated object or a professional category, but as something inseparable from the conditions of living together– family systems, friendships, migrations, losses, and the everyday labor of care.”
Self-Publishing Under Fascism
by Lou Blumberg + Marc Fischer
“The physical object is what facilitates the sorts of in person experiences that I like to have. There's little reason to travel to events and book fairs if everything is purely digital. Books create physical, social spaces, including bookstores and libraries.”
Give Hell Some Heaven: A Lesson in How to Feed Your Ghosts
by Alex Deets + Hayes Young
“So, if the theory that these supernatural ghosts or whatever are feeding off of our energy, well okay, they're feeding off my energy. That makes sense, I'm a southerner. If anything, I'm going to feed everybody. But what if I’m intentional about what I feed them? What if I sit down and look them in the face and ask, “What's going on? What are you hungry for?”
Going Retro
by Sarah Lưu + Kim Lưu
“I was the tetherball king in Texas. In California, I was average. But in Texas, I was beating everyone. And this is gonna sound bad, but I would trade my wins for milk. So, if a kid wanted to win against me he had to bring me a carton later.”
On The Record? I Love You
by Clara Harlow + Hannah Harlow + Tessa Harlow
“The fact that I've had to live a life and go to work is very silly and so let's make the best of it.”
Because We Care
by Haruka Ostley + Gabriel Ostley
“When one of us lifts the other up, we all lift each other up. I thought that was a very beautiful thought, and it’s something to remember as we artists collaborate with each other.”
The Ability to Rest: Trust, Care, and Collaboration
by Gwen Hoeffgen + Emily Fitzgerald
"To engage in a roundabout way of connecting with people that isn't about any outcome or transaction. It is possible that it can be a counter to a lot of systems of inequity and a useful practice to subvert these more competitive or capitalistic structures."
Build it Then Let it Go
by Nina Vichayapai + Anna Vichayapai + Ron Vichayapai
“ You have to build something and let it go. That’s when you’ll know how much it really means. That’s when you can appreciate it.”
Useful Aesthetics
by Domenic Toliver + Ivan McClellan
“Nobody asked me to build a rodeo. It was just the most useful thing I could think of.”
Thank You My Father’s Hands or, the Beauty of What is Near
by Sarah Blesener + James Blesener
“It’s not just about the art making. Or the memory. Or the feeling. But the fact that making an image leads to a memory that connects to a feeling that situates us in the present again. The art has been a way to connect. And it’s not really about the art. The art is a vehicle to make sense of and to sense your memory, your life, your relationships again.”
If You Don’t Pass It On, You’re Stuck
by Peery Sloan + Josephine LaCosta + Rose Lewis
“If you don’t share what you know, you’re stuck. You won’t cross the river.”
Artists on Visa
by Simeen Anjum + Khytul Abyad
“This contradiction isn’t accidental. Institutional “community” is an aesthetic and a marketing tool. When students enact political contestation rather than perform it in classrooms or artist statements, they are disciplined. So, the question becomes: What does it mean when values only exist in syllabi and marketing language, but collapse the moment they are practiced?”